
The tempo between the slow and fast paced sections are wonderfully done, let alone the lightning fast fingerstyling. Those fingers alone is a show on its own, a bit like a mini-dance from the body to the fret board. The pieces that were played tonight:
Concerto in D Major, Op. 3, No. 9 (“L’’estro armonico”) _____Allegro _____Larghetto _____Allegro | Vivaldi/Bach Arranged by John Williams |
Two Sonatas | D. Scarlatti Arranged by John Williams |
Valses poeticos, H. 147 | Granados Arranged by John Williams |
Torre Bermeja (Serenata) from 12 Piezas caracteristicas, Op. 92, No. 12 | Albéniz Arranged by John Williams |
Notes in the Margin | John Williams |
Intermission | |
La Catedral _____Lento (Preludio saudade) _____Andante religioso _____Allegro solemne | Agustin Barrios Mangoré |
Djilile | Peter Sculthorpe |
Theme from Schindler’s List | John T. Williams Arranged by John Williams |
Theme from Cinema Paradiso | Ennio Morricone Arranged by John Williams |
Cavatina from The Deer Hunter | Stanley Myers Arranged by John Williams |
Prelude to a Song Open End Song without Words Hello Francis | John Williams |
Carolan’s Concerto and Irish Tunes | Trditional Arranged by John Williams |
On top of classics like Torre Bermeja, La Catedral and Cavatina, I was really impressed with the rhyme in Valses Poeticos, his own composition Notes in the Margin and the Irish music on a guitar. The latter was a first for me, I thought Irish tunes were only possible with a violin. The night was also sprinkled with a few jokes from the guitarist himself to get the crowd more engaged with the music.
At the end of the concert, John Williams was given four standing ovations. On the fourth outing, he came back on stage for an encore where he played the pretty Como Llora una Estrella. Seeing and listening to such a guitar legend performing live will stay in my memory forever.
1 comment:
I saw Maestro Williams in phila 3/24/09. I remember the beauty of the music as the sun among the dawn.
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